Playful Promises Blog

Playful Promises Blog

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The Playful Promises Blog covering all things knicker-related! Bras, girdles, corsets, panties, knickers, gstrings, thongs, longline bra, bra sizes, la bra, suspender belts, garter, dresses, clothing, boutique, stockings, seamed stockings and more!

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When in Rome....: Ancient Sex Gods

Often we lust over another person, obsess over them, fancy them and even describe him or her as a 'sex god'. Few of us will actually go as far as worshipping this 'sex god' (thankfully), but in the past there has been a multitude of gods dedicated to fertility and sexual pleasure.

Tim Curry plays a sex god striving to create his perfect man in The Rocky Horror Picture Show

The most notorious gods of sex are from Egyptian, Greek and Roman Mythology. However, when the Romans invaded Britain 2000 years ago Londoners and the British population were required to worship these mystical gods.

Southwark was seen as today's Soho. It was the heart of the sex scene and like Soho or Las Vegas magnificent buildings were dedicated to the gods of sex, pleasure and lust. These gods would be worshipped to such an extent that palaces and temples were built in dedication. Worship was very much a celebration fuelled by wine turning into rather wild processions and often culminating in frenzied public orgies.

Devotees would perform religious duties such as carrying gigantic phalluses in a procession or handing around wine in jugs on specific 'days of drinking'.

Jug with Temple inscription

In the twentieth century, remains underneath Southwark Cathedral and in Tooley Street were discovered of a substantial Roman Temple. A jug was also discovered inscribed with 'LONDINI AD FANUM ISIDIS' - In London, at the Temple of Isis.

Isis

Isis was the main Ancient Egyptian goddess worshipped in London during the Roman occupation, her worship spreading throughout the Greco-Roman world. She represented fertility as well as being the patron of nature and magic. She was worshipped as the ideal mother and wife. Isis is depicted as the mother of Horus, another Ancient Eygptian God. This hawk-headed god of war and protection is often seen suckling on Isis in a similar depiction as that of the Virgin Mary with Jesus. Isis was also known as protector of the dead and goddess of children.

As the story goes, Isis married her brother Osiris and they conceived Horus. When Osiris was murdered, Isis was instrumental in his resurrection, using her magic to restore life to his body. This death and rebirth was relived each year through rituals.

Isis

As the fertility goddess, this beautiful dark-haired woman recruited many devotees, particularly in women. The most noble empresses to the lowest whores on the bank of the River Thames came to worship.

The temple of Isis in Southwark was known as 'houses of assignation'. This was where women conducting secret affaires could rendezvous with their lovers or clients. Women were even known to pick-up a willing partner or simply confide in priests about all aspects of love, sex and fertility.

Harpocrates was the god of silence, adapted by the Greek from the Ancient Egyptian child god Horus. Horus represented the newborn sun and was the child of Isis and Osiris. He was considered the victorious god of the sun who each day overcame darkness.

Although Harpocrates did not have a dedicated temple in London or Britain, he often featured across London's Roman brothels. Depicted as a man with a penis two or three times taller than the rest of him, his picture was painted across ceilings, walls and doors. He was known for his sexual prowess and his image was supposed to 'spur-on' clients to the max. This deity was also depicted in figurines with one vast penis, sometimes even used as an oil lamp with the erect penis holding the oil. The figurine was meant to protect lovers from evil demons lurking In the dark and help redouble their efforts in amorous pursuits.

Apollo was also a widely worshipped deity in London and one of the most important and complex Olympian deities in ancient Greek and Roman religion. Recognised as the god of light and sun, healing, truth and prophecy, he was the prophetic deity of the Delphi Oracle. Apollo was also seen as the god who could bring ill-health and deadly plague, so it becomes clear why he was profoundly worshipped in London where the plague was so common.

Apollo chasing Daphne

Apollo was a leader of muses as well as patron god of music and poetry. His love affairs were also renowned, although these were only attributed to him in later development of Greek mythology. Famously, in Ovid's Metamorphoses, Phoebus Apollo chaffs cupid for toying with a weapon more suited to a man. Cupid wounds Apollo with a Golden Dart and simultaneously shoots a leaden love-repelling arrow into Daphne, a nymph who scorned Apollo and all men. Daphne flees Apollo's relentless chasing until she can no longer bare his pleading and boasting. She seeks help from her father Peneus, the river god, who transforms her into the Laurel tree which was sacred to Apollo.

Hermes was the messenger god, and although he was less worshipped as a sex god he still played a vital part in meetings of the heart. It has always been uncertain of his deity origins. Some argue he is a native god worshipped since the neolithic era, others suggest he was 'imported' from Asia via Cyprus or Cilicia.

Hermes' cult was established in the remote regions of Greece, where he was worshipped as a god of nature with shamanic attributes like divination, magic and sacrifices. More appropriately he was also considered a re-conciliator and initiator of contact between places of existence, a mediator between worlds. For this reason he was worshipped as a god of sex as the Romans in London needed to worship a messenger, someone who could action communication between loved ones in Rome, new meetings and more.

Hermes statue complete with erect penis

In early Londinium, Hermes 'fertility figures' were a common sight in the streets. These statues were sited at major intersections. The statue was positioned on a square pillar around six foot high, often featuring a large erect penis, complete with testicles. Passing women would touch and fondle the stone penis and pray for the god's intervention whether it be in successfully conceiving a child, making the woman more desirable, strength in a relationship or success in finding clients if the woman was a prostitute.

Seeing Red Continued: History of a Harlot

A while ago we looked into why red lingerie has been cited the sexiest colour for lingerie and the origins of red underwear.

From as early as the 15th century, clothing worn by prostitutes had to be distinguishable from that of other women, mainly because society shunned their lifestyle choice. Often a harlot had a yellow stripe on her clothing, but more commonly the stripe was red. Of course there is nothing to say what colour their underwear was, but perhaps this taboo naughtiness kick-started the ongoing trend. Not that wearing red lingerie means you wish to be a prostitute, of course, but it may have given the colour red that extra touch of kink!”

As we delved deeper into the history of Britain and prostitution we discovered a tantalising piece of evidence that may answer our question further about the origin of using red for passionate and sexy lingerie.

Depiction of a brothel

It is a well know fact that prostitution is one of the world's oldest professions. Throughout the ages reigning bodies across Britain accommodated this profession in a variety of ways. The attitude of the authorities towards prostitutions and licentious behaviour in London fluctuated according to who was in power.

Richard I, 1189-1199, took a very liberal view towards prostitution. He was a great fanatic of London's brothels and found himself arrested in a Brothel in Paris. Richard I was succeeded by King John who also enjoyed visits with London's sex sellers.

Brothel dressed in red

King John's son, Henry III grew up surrounded by London's sex scene and an open attitude towards visiting prostitutes. He became one of the most hoarding, close-fisted monarchs Britain has ever seen; high taxes and restraints on London's entertainment. And yet the brothels was one area that Henry III turned a blind eye to.

The mood changed significantly when Edward I came to power in 1272. He was a moral crusader, evicting prostitutes, pimps and madams from the walls of the City of London and closing all brothels. Legislation was put in place to evict sex workers and anyone selling sex would be imprisoned for a minimum of forty days.

He considered the presence of prostitutes, or 'women of evil life,' attracted criminals, murderers and general evil. In later history, it was discovered that Edward I derived an income from brothels in Southwark, London's brothel area, and that he also issued a licence to Isaac of Southwark to run a brothel.

Brothel with prostitutes

Edward II was happy to let the London brothels flourish, he ignored the legislation put in place by Edward I. Rumours are he preferred boys. But everything was about the change with Edward III succeeded the throne.

It is said that Edward III had an enlightened attitude towards London's sex scene. He came to the throne in 1327 and reviewed the legislation set in place by Edward I. Brothels, pimps, madams, and prostitutes were welcomed back within the city walls and allowed to continue trading as long as prostitutes wore a distinguishing mark in the form of a red rosette upon their attire.

This system was originally operated in Avignon, France, and further afield in Europe to distinguish a prostitute from every other female going about their daily business.

An aiguilette

In France, the authorities were extensively attempting to eradicate the sex trade. In particular in Avignon where the red-light district, or 'hot-street', was particularly well developed, prostitutes were forced to distinguish their trades due to ordinances that were taking place. The Avignon prostitutes wore the original red rosette later worn in London. Called an 'aiguilette', a knotted cord, harlots originally wore this knotted cord in a colour contrasting their dress, which was required to be worn conspicuously on her clothing. In later years it was required to be a red aiguilette.

In Switzerland, prostitutes were forced to wear an insignia indicative of their profession in the form of little red caps.

One reason for making British prostitutes wear the rosette was so they could be distinguished from housewives and ordinary women going about their daily business. In the hope that this would deter men from approaching them and offering sex.

Another reason for this obvious distinction was due to the sumptuary regulations that Edward III was putting in place. The feudal order was breaking down and the nobility imposed restrictions on dress to maintain visible 'class distinctions'.

Brothel and Prostitutes

These restrictions also had to be applied to prostitutes as many prostitutes were wearing finer and 'classier' clothes to flaunt their goods and skills but also to escape the prosecution.

Similarly, prostitutes were banned from wearing aprons which may suggest they were a house-wife.

Later in 1355, London authorities banned prostitutes from wearing fur and required them to wear 'ray' or striped vestments often in red and white or black and white stripes so they would be conspicuous.

For more information about the colour red and the origin of red lingerie please read our original blog.

Titanic Fever

The S.S Titanic collided with an iceberg and sunk to the bottom of the Atlantic ocean one hundred years ago.

As the media looks back at this tragic event Playful Promises takes a peak at some of the more notable passengers, we take a cheeky glimpse at some of the fine lougewear first class passengers would have been wearing and we admire some of the tantalising artefacts recovered over recent expeditions to the sea floor!

These remarkable perfume vials is one of the best examples of recovered artefacts to date. Originally from British perfumery Adolphe Saalfeld, Adolphe was a German perfume maker who survived the sinking of the ship. These beautiful vials of perfume oil were being exported, bound to ladies boudoirs in the United States.

One can imagine the stunning array of perfume bottles, dresser bottles and make-up artefacts some of the first class passengers would have had on-board with them. Adolphe carried 65 vials onto the ship, and to this date 62 vials have been recovered all intact. In the year 2000, plans were made to recreate these perfumes but no further information has been published.

Other found objects include decorative hair accessories, jewelled brooches, necklaces including this personal necklace bearing the name Amy. Some believe it was Amy Jacobsohn, a 2nd Class passenger, while others believe it was Amy Stanley's, despite her sailing in Third Class. Some say the bracelet was found in a leather bag that contained items from the 2nd Class Purser's safe, while others say it was found with other steerage items in the debris.

Intricate bottles from dressers have been found as well as mesh hand bags, combs,  boxed jewels and this sparkling gem of a diamond ring and a flurry of clothing.

Fashion Correspondent Edith Russell was one of the many passengers on board the Titanic. She was voyaging towards the United States travelling with trunks full of French couturiere pieces for American clients. Her trunks sank with the ship that tragic night and remain unfound.

Leontine Pauline Aubart was a French traveller who also lost all her possessions; 

“I had in my cabin jewels worth 4,000 (GPB) as well as many trunks of dresses and hats. One does not come from Paris and buy one's clothes in America. That is understood, is it not?”

We like to think that there are some beautiful pieces yet to be found. This stunning silk garment went up for auction just a few weeks ago. The colour is still apparent, but best yet is the beautiful embroidery. The shape, cut and fit are rather inspiring for our boudoir antics!

Dorothy Gibson was one of the survivors on the great tragedy.  Gibson was a famed entertainer of the period. She appeared on stage as a singer and dancer in a number of theatre and vaudeville productions, the most important being on Broadway in Charles Frohman’s The Dairymaids (1907). She was also a regular chorus member in shows produced by the Shubert Brothers at the Hippodrome Theatre. At the time she was the highest paid female entertainer in the world.

The Titanic is a notable and epic disaster, it took to its grave some treasuredgems, some we are yet to discover.

Memento Mori: Victorian Mourning Lingerie

Queen Victoria in mourning

Mourning the death of a loved one is certainly a difficult period for all involved. Today death and mourning is very private, however in the Victorian period mourning was a very public affair. Mourning attire was a very important factor in this overt grieving process, and this included the lingerie that the women had to wear.

Queen Victoria reformed the mourning rituals after the loss of her Mother, and nine months later the loss of her beloved husband, Prince Albert. The entire country was propelled into a state of national mourning, and the entire Royal Household lead the way in mourning fashions and trends; men, women and children.

Queen Victoria in mourning attire

This very extreme and public display of mourning revolutionised how the Victorians were to mourn loved ones, and even lingerie was affected by this change of trend.

Women would mourn the death of a family member for at least 4 weeks. The death of a parent would result in mourning for at least a year and the death of a husband required at least two years of mourning.

Black lace fans, mourning accessories

Women were the leaders of a household's mourning drill.  It was the woman who as the social representatives of their husbands showed the world how sorrowed the family was by wearing clothes and following little rules that reflected this.

In 1865 Henry Mayhew the social historian remarked that women;

had to put aside all their ordinary clothes and wear nothing but black, in the appropriate materials and with particular accessories, for the first stages of mourning.'

Often this meant that women would dye their clothes black, anything visible would have been black. As much as possible, undergarments that touched the skin were not dyed to avoid the dye wearing off on the skin. However, black ribbon, lace and trims would be added wherever possible.

Black petticoats

Funeral lingerie consisted of petticoats made of silk and stuft. Stockings would also have been made from silk, cashmere or balbriggan. Balbriggan was lightweight knitted cotton, elasticised, so ideal for underwear, but just like nylon stockings today it laddered easily. If possible these were purchased in black or dyed at home.

Black corsets were worn; sometimes this may have been inset with white lace for mourning. Wealthy women with the means to invest in mourning attire and mourning lingerie may well have purchased fine white cambric funeral lingerie threaded with black satin and a matching corset.

Black embroidered stockings

The new trends of extreme mourning attire also meant that all women’s fashionable treasured possessions were tucked away until after a considerable amount of grieving time passed. As much as today, lingerie would have been a small devilish treat for oneself, and ladies who could afford white broderie anglaise would purchase pieces of lingerie in white with black ribbon detailing as a guilty pleasure.

Victorian Funeral fashions

Ladies, and gentleman, would go to considerable expense on the caps, cuffs and collars which were visible but would have also adorned their undergarments. Often women wore muslin or cotton under-vests with collars and cuffs that would show beyond the outer garments.

Caps, cuffs and collars would be made from lawn; the name comes from the town Laon in the North of France. Lawn is a type of linen, often used by the clergy. Cotton and fine muslin were alternatives for the less affluent. Cuffs were required to be nine inches long. The cuff would never overlap, it would meet at the wrist and fasten with buttons on the edges. Cuffs were often referred to as weepers, as these were used to dry tears.

Ladies would match the lace design of their cuffs to their handkerchiefs. Usually made from cambric or cotton, handkerchiefs were another indulgence women in mourning could obtain.

Victorian Mourning Accessories

The wealthier ladies would also have ready, black kidskin gloves and very affluent women were allowed black animal pelts, however it needed to be evenly black. Sealskin, sheared beaver and astrakhan (newborn Persian lamb) were the choice pelt of the era.

Women who could not afford mourning attire were shunned. The writer Puckle reflected that

This is a time for display, not for borrowing, and who knows better than a widow that a score of coldly criticising eyes are watching events through broken venetian blinds and dirty Nottingham lace curtains…one is wondering where the money comes from to pay for the luxury of grief…

Mourning today is short and discreet, something done behind closed doors. It has become a private affair just as sex has become a very public affair. Sex was unmentionable in Victorian society, and yet death held no mystery at all. The more public it was the more impressive you became.

Who's Proposing?

If you hadn't noticed it already, 2012 is a leap year. An additional day to add to the diary, for flirty acts and dirty deeds and it occurs only once in every 4 years!

Perhaps you have a multitude of exciting and tantalising activities planned for your extra day, to make the most of this Olympic year, however does one of them include proposing to your lover?

February 29th has, for a great many centuries, been the day women can propose to men. Not necessarily a partner or lover, it can be any man, looking at tradition.

In the 21st century, it is not uncommon for women to propose every day of the year, to a lover or a stranger. It is no longer frowned upon in society and rather refreshing in some relationships.

However February 29th remains a tradition for many, a day set aside for this event that certain women await fours years for, and fastidiously plan again and again. And we here at Playful Promises are keen to know how many of you have been scheming a proposition for the past four years?

The tradition is rumoured to date back to the 5th century AD. St. Bridget complained to St. Patrick about women having to wait for too long for a man to propose. Still the case! According to legend, St. Patrick said the yearning females could propose on this one day in February during the leap year, and it would come round only every four years.

St Patrick and St Bridget looking rather dashing

The first documentation of this rare and odd practice dates back to 1288 AD, when Scotland supposedly passed a law that allowed women to propose marriage to the man of their choice in that year. Tradition states they also made it the law that any man who declined a proposal in a leap year must pay a fine. The fine could range from a kiss to payment for a silk dress or a pair of gloves.

I think this law should come back into fashion, I'm in need a new silk negligee and matching gown.

So if this leap year your plans involve a proposal, we have some flirty lingerie to make that moment even more memorable and will hopefully cinch the deal with your loved one!