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Burlesque Past and Present: Mistinguett and her lengthy legs

The art of the tease is on everyone's lips; with a rising interest in burlesque, cabaret clubs are in full swing and new acts are cropping up every week. At Playful Promises we just adore a bit of cheek, and would love to introduce you to our favourite burly girls, past and present! Keep your eyes firmly peeled, as each week we feature inspiring performers guaranteed to set pulses racing!

Although I am cheating slightly, featuring a lady who wasn't necessarily thought of as a burlesque artist, she did pave the way for many a showgirl; making glamorous, gigantic headdresses and vast skirt trains of feathers a popular performance costume. 

Mistinguett, real name Jeanne Bourgeois, was THE female entertainer of her time, with legs that would make men melt at her feet! 

Determined to make it in show business, she left her humble beginnings as a flower seller in a restaurant and began her career in 1885 after taking classes in singing and theatre. Apparently those classes didn't do much good, as it was noted that she didn't have much of a singing voice, nor could she dance well or be particularly visually appealing, so she made her name the only way she could: a charismatic personality. 

That and her legs! She explains "the rest had to be created. I had to invent something.... my legs, 'the lovliest legs in the world', [an idea that] came out of my head." Indeed, those legs were the basis of her career; in fact, in 1919 she insured them for 500,000 francs! 

Bourgeois (and with a surname like that, you would most certainly need something catchier for the stage!) experimented with various stage names, such as Miss Helyett, Miss Tinguette, Minstinguette, before finally settling on Mistinguett. She debuted at the Casino de Paris in 1895 before moving on to appear at notorious venues such as Folies Bergere and the Moulin Rouge. 

Mistinguett was the epitome of showbiz decadence during the turn of the century. Her cheeky performance style became well known; once, while singing, an audience member shouted, "higher!", to which she lifted her skirt (and you can imagine what an uproar that caused!).

Rumor has it that she was romantically involved with Alphonso XIII, the King of Spain and the Russian Prince Orloff, and was BFFs with Jean Cocteau and Oscar Wilde. 

She was also best known for her signature song "Mon Homme", recording it in 1920. You may have heard the popular English version "My Man", which became a staple of the cabaret world for years to come. 

Burlesque Past and Present: Lydia Thompson

The art of the tease is on everyone's lips; with a rising interest in burlesque, cabaret clubs are in full swing and new acts are cropping up every week. At Playful Promises we just adore a bit of cheek, and would love to introduce you to our favourite burly girls, past and present! Keep your eyes firmly peeled, as each week we feature inspiring performers guaranteed to set pulses racing!

Kicking off our naughty series it is only fitting that we discuss the woman that helped shape Burlesque as it exists today: Lydia Thompson.

Often credited as the burly-godmother of American Burlesque, Lydia was a dancer and producer, who successfully introduced this quaint English vaudeville act to the American public. Back when the art form stuck strictly to the origin of the word (in Italian 'burla' means a mockery), the acts revolved around parodying rather than the sexual striptease we are now familiar with. Popular during Victorian London, burlesque was a form of musical theatre, which was often quite risqué for the time.

Flesh-coloured tights shocked and thrilled the audience, giving the impression of naked flesh (rather like nipple pasties are used since!). While this became ever so slightly passé in fashionable London, in 1868 Lydia Thompson took her troupe, The British Blondes, overseas to New York. When this group of women with bleached hair landed in America with little but a pair of tights, tickets we snapped up in a fit of ecstasy. 

Whoever had been dealing with Lydia's PR had hit a goldmine. I just love this story which spread itself around before the debut shows: "Captain Ludoc Baumbarten of the Russian dragoons took some flowers and a glove belonging to Miss Thompson, placed them on his breast; then shot himself through the heart, leaving on his table a note stating that his love for her brought on the fatal act." Whether this dramatic tale is true, we don't know, but the men of America were stricken with a lust for Lydia. 

She must have been particularly charming, as the view of young women's legs was no new experience - "leg shows" had been around for years. This new format of titillation had captured it's audience, allowing the shows to develop into full length revues, and their original schedule of 6 months was extended to a jaw-dropping 6 years. 

Not only did these ladies look amazing, but you definitely didn't want to mess with them. Bizarrely, an incident where Lydia, her husband and another troupe member, Pauline Markham, horse-whipped a critic at gunpoint only lead to a fine and increased popularity. Burlesque is serious business after all. 

Another particularly interesting point to mention about Lydia was that she was known for her roles as the 'principle boy', the leading male character. While this was a standard in burlesque, many claim she was one of the first great Drag Kings, and the idea of a woman dressed and acting like a male further infuriated critics.

While burlesque went out of fashion in England at the end of the 19th century, the American style grew into it's own genre. Sexuality became an increasingly common feature; what began with "cooch" dances moved into strip shows in the 1930s. But that is a whole other blog post!

Backstage with Burlexe

 

Burlexe is a unique play about the lives of women in burlesque. It fuses performance with storytelling, dancing with acting. It’s about strong, powerful, amazing women and it’s like nothing you’ve seen before.

 

We went behind-the-scenes to find a unique sisterhood, which actually reflects what’s happening on stage.

 

- Burlexe mixes the inimitable Kele le Roc with actresses and guest burlesquers – it’s a living soap opera with highs, hilarity and a good deal of glitter.  

 

- On stage, Kele le Roc is the most hilarious of comperes, flicking her whip and backstage she’s holding court with stories told in a myriad of accents.

 

Image by Tigz Rice

 

- Girls arrive for the pre-show walk-through in leggings and Ugg boots but emerge on stage as glamorous goddesses be it exotic like Luna Rosa or gothic a la Aurora Galore.

 

- It’s glamorous but girly with backstories are led by hormones, love life, current circumstances and losing an earring.

 

Kiki Kaboom by Tigz Rice

 

- Conversations are about make-up and costume tips, where to get just-as-good-but-not-as-expensive-Swarovski-alikey crystals. And did you know what a see-string is? A G-string to perform in. Where can we get one of those? Ask Bettsie BonBon…

 

Want to find out more?